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  • Shenandoah Waterfalls 1
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  • Transcendence 1
  • Whitney Point 1
  • Time and Motion 1
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	I photograph usually in one of two ways: with my large format field camera or my digital SLR. My images are also printed in one of two ways: as UltraChrome ink or LightJet prints.
	When photographing landscapes envisioned as large prints I use my Toyo 45A-II with transparency film. The original 4x5 transparency is drum-scanned at an extremely high resolution at Photo Craft Imaging in Boulder, Colorado. I work with the lab to make final modifications to each print. The very large file that results is then printed on Crystal Archive Matte paper with the lab’s LightJet laser printer. The process produces prints of exquisite color, sharpness and detail.
	For the intimate and abstract images envisioned as smaller prints, I will generally go digital. With an obsessive and demanding eye, I print those images myself with UltraChrome ink on archival, acid free 100% cotton rag.
	All prints should retain their original quality for 60-plus years. Prints range in size from 6x9 to 30x40, usually in limited image editions of 50. Prices range from $150 to $2000. Prices increase as editions sell. All prints are titled, signed and numbered on the back. Prints are available with archival, acid-free mounting and matting.
	If you are interested in purchasing a print, feel free to contact me at anytime.
	Garland Gallery, 116 Washington Street, in Binghamton, NY, takes on some of my more challenging framing jobs. Sherry Eaton and her staff also provide me with invaluable consultation and assistance in general.
	For more information about the drum-scan and LightJet printer process, contact John Botkin at Photo Craft Imaging.